A "GOOD" FENCE?
Oscar Wilde once said that life imitates art far more than art imitates life. Case in point is a frothy 1994 romantic film comedy called, Speechless. It’s about two speechwriters (Michael Keaton and Geena Davis), working for rival Senate candidates, who fall in love despite their loathing for each other’s politics.
One of the issues in the campaign, which takes place in New Mexico is, not surprisingly, illegal immigration. Keaton’s candidate, the Republican, wants to solve the problem of illegal entrants by digging a ditch along the border with Mexico. The trouble is, his Democratic rival (scripted by Davis) is making political hay by lambasting the ditch as a second “Berlin Wall.” So Keaton’s job, as a Hollywood screenwriter turned speechwriter, is to apply a little positive spin to the idea.
Keaton (who must be the only Republican screenwriter in Hollywood) obliges by dubbing the proposal the “Friendship Ditch.” He writes his candidate a speech arguing that far from being a source of contention, the ditch would in fact cement good relations with Mexico by relieving American anxieties about our porous border. “Because it ensures our security,” intones the candidate at a rally, “it also ensures our friendship.” And, yes, the speech also quotes Robert Frost’s famous line, “Good fences make good neighbors.”
Hollywood fantasy? Not anymore. Rep. Duncan Hunter (R-CA), the chairman of the House Armed Services Committee, is seriously proposing the erection of a 2,000 mile long, state-of-the-art border fence with Mexico that would run from San Diego to Brownsville. No word yet on whether he plans to call it a “Friendship Fence.”
I wouldn’t advise naming it after Robert Frost either. Allegedly, Frost’s famous line is widely misunderstood. He did not mean, “Good fences make good neighbors.” Rather, he meant, “Good fences make good neighbors.”
For an artist’s conception of what the finished fence would look like – a Maginot Line some 12 to 15 feet high and 40 to 50 yards wide – click on www.weneedafence.com. Then ask yourself if you really want this grim-as-a-gulag fortress to replace the Statue of Liberty’s torch upraised in welcome as a symbol of America.